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Received 04.02.2023

Revised 19.04.2023

Accepted 30.05.2023

Retrieved from Vol. 7, No. 1, 2023

Pages 141 -149

  • 334 Views

Suggested citation

Bilyk, N., & Mahomedova, T. (2023). “I am Ukraine. I am the eternal dream of unity” project implementation. Ukrainian Professional Education, 7(1), 141-149. https://doi.org/10.33989/2519-8254.2023.13.289949

“I am Ukraine. I am the eternal dream of unity” project implementation

Nadia Bilyk Tetiana Mahomedova

Abstract

The article reveals the influence of the People’s Artist of Ukraine Raisa Opanasivna Kyrychenko’s song creativity on the development of children’s vocal and choral skills, in particular, students of Poltava City School of Arts “Raisa Kyrychenko Small Academy of Arts” within “I am Ukraine. I am the Unity of the Eternal Dream” project implementation. The following methods have been used: source studies (studying scientific research on R. O. Kyrychenko’s song creativity); analytical (understanding the role of the development of students’ vocal and choral skills in the process of preserving the cultural heritage of the Ukrainian singer), as well as the method of theoretical generalization. The scientific novelty of the research consists in determining the innovative nature of the project “I am Ukraine. I am the Unity of the Eternal Dream”, presented in honor of the 80th anniversary of the birth of the famous singer Raisa Kyrychenko. Its purpose is to support and develop the Ukrainian vocal art of student youth, enrich the cultural achievements of Ukraine, and realize the creative potential of the younger generation. The main objectives of the project have been solved. They are the following: the development of spiritual enrichment and creative growth of young talents and their teachers; the exchange of pedagogical and performance experience through master classes, lectures-concerts, and thematic lessons; and raising the professional level of performers and creative teams of the art school. The project «I am Ukraine. I am the Unity of the Eternal Dream» is one of the significant results of Poltava City School of Arts “Raisa Kyrychenko Small Academy of Arts”. In the same context, the authors note the relevance and expediency of its implementation in the educational process of the educational institution, as well as emphasize the consistent study of Ukrainian folk song creativity as a necessary condition for the formation of students’ sense of national dignity and ethnic belonging to their people

Keywords:

Raisa Kyrychenko’s song creativity; project; School of Arts; folk music tradition; students’ vocal and choral skills

References

[1] “I'd rather be a milkmaid!”: The story of Raisa Kyrychenko, the keeper of Ukrainian song. (2021). Retrieved from https://umoloda.kyiv.ua/number/3692/188/154325.

[2] A one-man show “I Pray to the One Who Became Ukraine...” was held in Poltava. (2019). Retrieved from https://irt.pl.ua/news/9647/.

[3] Bakalo, A.O. (2022). Formation of vocal and choral skills in adolescents at music lessons. In Progressive research in the modern world: The 2nd International scientific and practical conference (pp. 221-226). Boston: BoScience Publisher.

[4] Figures of Cherkasy region: Raisa Kyrychenko. To the 30th anniversary of Ukraine's Independence. (2019). Retrieved from https://novadoba.com.ua/367389-postati-cherkashhyny-rayisa-kyrychenko-do-30-richchya-nezalezhnosti-ukrayiny.html.

[5] Karchova, Y.I. (2014). Collection “The Best Songs” Raisa Kirichenko: Features of vocal and performing style. Ukrainian Culture: Past, Present, Ways of Development, 20(1), 118-122.  

[6] Karchova, Y.I. (2016). Ukrainian folk song performance in professional musical practice in the last third of the XX - early XXI century. (Dissertation for the Degree of PhD in Arts, Kharkiv National University of Arts Named After I.P. Kotlyarevsky, Kharkiv, Ukraine).

[7] Karchova, Y.I. (2018). Modern trends in the interpretation of the Ukrainian folk song performance paradigm. Culture of Ukraine. Art History, 61, 138-148.

[8] Kudriashov, G.O. (2013). Creativity of Raisa Kyrychenko in the cultural space of Ukraine on the border of XX-XXI centuries. Poltava: V.G. Korolenko National Pedagogical University.

[9] Project “I am Ukraine. I am the Eternal Dream of Unity”. (2023). Retrieved from https://mam-poltava.org.ua/im-ukraine-dream.

[10] Raisa Kyrychenko's Women's Fate. (2017). Retrieved from https://zhitomir-online.com/kultura/62516-zhinocha-dolya-rayisy-kyrychenko.html.

[11] Rudenko, Y.V. (2014). Creativity of Raisa Kyrychenko as a unique form of Ukrainian art. Bulletin of the KNUKiM. Art History, 31, 92-98.

[12] Rudenko, Y.V. (2018). Creativity of Raisa Kyrychenko in the context of musical and song art of Poltava region (late XX - early XXI century). (Dissertation for the degree of PhD in Arts, Kyiv National University of Culture and Arts, Kyiv, Ukraine).

[13] Sinelnikova, V.V., & Sinelnikov, I.G. (2019). Some issues of mastering the authentic tradition of singing in an urban youth folklore group. Image of the Modern Pedagogue, 4(187), 94-99. doi: 10.33272/2522-9729-2019-4(187)-94-99.

[14] Skryaha, M., Vyhivska, V.M., & Bilyk, N.I. (2008). A word about the “Cossack” of Ukraine. In Cossack traditions of Poltava region: Names - monuments - events – legends (pp. 193-199). Poltava: ASMI.

[15] Vlasova, S.A. (2020). Creative activity of R. Kirichenko in the context of stage integration of folk song performance. Image of the Modern Pedagogue, 2(191), 97-100.

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https://doi.org/10.33989/2519-8254.2023.13.289949

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