• Home
  • Articles & Issues
    • Current
    • All Issues
  • About
    • Aims and Scope
    • Editorial Board
    • Indexing
    • Sources of Financing
  • For Authors
    • Submission
    • Terms of Publication
    • Formatting Guidelines
    • Peer Review Process
    • Article Processing Charges
    • License Agreement
  • Ethics & Policies
    • Publication Ethics
    • Conflict of Interest
    • Open Access Policy
    • Archiving
    • Complaints Policy
    • Privacy Statement
    • Corrections and Retractions
    • Anti-plagiarism Policy
    • Generative AI Policy
  • Contacts
en English
  • Українська Українська

UkrainianProfessional Education

  • Submit an article
  • Home
  • Articles & Issues
    • Current
    • All Issues
  • About
    • Aims and Scope
    • Editorial Board
    • Indexing
    • Sources of Financing
  • For Authors
    • Submission
    • Terms of Publication
    • Formatting Guidelines
    • Peer Review Process
    • Article Processing Charges
    • License Agreement
  • Ethics & Policies
    • Publication Ethics
    • Conflict of Interest
    • Open Access Policy
    • Archiving
    • Complaints Policy
    • Privacy Statement
    • Corrections and Retractions
    • Anti-plagiarism Policy
    • Generative AI Policy
  • Search
  • Contacts

Article

  • Read article
  • Download article

Received 11.09.2023

Revised 18.11.2023

Accepted 28.12.2023

Retrieved from Vol. 7, No. 2, 2023

Pages 65 -72

  • 329 Views

Suggested citation

Maistruk, N. (2023). Pottery centersand schools in Ukraine: Educational and professional potential. Ukrainian Professional Education, 8(2), 65-72. https://doi.org/10.33989/2519-8254.2023.14.300218

Pottery centersand schools in Ukraine: Educational and professional potential

Nazar Maistruk

Abstract

Based on historical material, the article examines the current issue of researching the educational and professional potential of pottery centers and schools in Ukraine in the context of the problems of training specialists in decorative and applied art in educational institutions of our country in the 80s of the 20th century – at the beginning of the 21st century. Based on the study of a complex of diverse sources, it was found that traditional pottery centers were formed in the following regions: Kyiv Oblast, Kharkiv Oblast, Poltava Oblast, Chernihiv Oblast, Podillia, Kherson Oblast, Volyn, Halychyna, Hutsul Oblast, Transcarpathia. Each of these centers had unique signs of technology techniques, decoration, design, name, and shape of products. At the same time, the long-standing leading educational training masters of decorative and applied art directly by well-known potters. Workshop schools, art and industrial schools, vocational and technical schools, artillery schools, workshops of folk art, art schools, etc., were founded later at the end of the 19th – at the beginning of the 20th century. Those institutions, i. e., Poltava Pottery School-Workshop, Myrhorod Ceramic Technical School, Opishne Vocational Technical School – Opishne Factory «Artistic Ceramics», Mezhehirsk Ceramic School-Workshop – Technological Institute of Ceramics and Glass, Kyiv Central Experimental Workshop of Folk Art at the State Museum of Ukrainian Art, Kyiv Art and Industrial Technical School, accumulated rich experience in training high-quality ceramic artists. It was found that in the 80s of the 20th century, the training of decorative and applied art specialists was started by culture colleges

Keywords:

vocational training; educational and professional potential; pottery center; decorative and applied art; ceramic regions of Ukraine

References

[1] Beketova, I. (2021). Ceramics. Retrieved from https://www.mundm.kiev.ua/COLLECTN/CERAMICS.HTM.

[2] Galician Correspondent. (2017). Painted tiles are disappearing as a craft. Retrieved from https://gk-press.if.ua/malovani-kahli-znykayut-yak-promysel/.

[3] Klymenko, O. (2021). Development of Ukrainian pottery in the XX century. Retrieved from http://www.ukrsov.kiev.ua/en/library/-/asset_publisher/Bkg0/content.

[4] Klymenko, O., Serzhant, L., & Istomina, G. (2009). History of decorative art of Ukraine. Kyiv: IMFE.

[5] Lashchuk, Y. (1995). Ukrainian pottery: National cultural yearbook. For the year 1994. Opishne: Ukrainian Ethnography.

[6] Motyl, R. (2011). Ukrainian smoky ceramics of the XIX - early XXI centuries. Lviv: Institute of Ethnology of the National Academy of Sciences of Ukraine.

[7] Motyl-Sheremeta, R. (1997). Professional artists and Havare smoked ceramics. In Regression and regeneration in folk art: Collective research based on the materials of the Third Honcharivski readings (pp. 204-207). Kyiv: Ivan Honchar Museum.

[8] Myrhorod Mykola Hohol Vocational College of National University “Yuri Kondratyuk Poltava Polytechnic”. History of the institution. (2021). Retrieved from http://mhpk.edu.poltava.ua/college/istoriya/.

[9] Novytska, O. R. (2003). Ukrainian folk art of the 1920s-1980s: Interpretation, evaluation, refutation. Lviv.

[10] Poshyvaylo, I. (2000). Phenomenology of pottery: Semiotic and ethnological aspects. Opishne: Ukrainian ethnology.

[11] Reshta, I., & Reshta, D. (2016). Pottery. Textbook of life. Zhytomyr: Polissia.

[12] Romanets, T.A. (1985). Artistic features of unglazed ware in the products of Adamivka masters. In Artistic crafts: Theory and practice (pp. 71-91). Kyiv: Scientific Thought.

[13] Zinenko, T.M. (1999). Problems and prospects of artistic ceramics of Ukraine at the turn of the millennium. In Ukrainian pottery: National Cultural Yearbook. For the years 1996-1999 (pp. 159-166). Opishne: Ukrainian Ethnography.

Share
Facebook
Twitter
LinkedIn
Email
Telegram
Viber
WhatsApp

https://doi.org/10.33989/2519-8254.2023.14.300218

Address 36003, Ukraine, Poltava, 2, Ostrohradskyi Str.

Email info@uaprofedu.com.ua