• Home
  • Articles & Issues
    • Current
    • All Issues
  • About
    • Aims and Scope
    • Editorial Board
    • Indexing
    • Sources of Financing
  • For Authors
    • Submission
    • Terms of Publication
    • Formatting Guidelines
    • Peer Review Process
    • Article Processing Charges
    • License Agreement
  • Ethics & Policies
    • Publication Ethics
    • Conflict of Interest
    • Open Access Policy
    • Archiving
    • Complaints Policy
    • Privacy Statement
    • Corrections and Retractions
    • Anti-plagiarism Policy
    • Generative AI Policy
  • Contacts
en English
  • Українська Українська

UkrainianProfessional Education

  • Submit an article
  • Home
  • Articles & Issues
    • Current
    • All Issues
  • About
    • Aims and Scope
    • Editorial Board
    • Indexing
    • Sources of Financing
  • For Authors
    • Submission
    • Terms of Publication
    • Formatting Guidelines
    • Peer Review Process
    • Article Processing Charges
    • License Agreement
  • Ethics & Policies
    • Publication Ethics
    • Conflict of Interest
    • Open Access Policy
    • Archiving
    • Complaints Policy
    • Privacy Statement
    • Corrections and Retractions
    • Anti-plagiarism Policy
    • Generative AI Policy
  • Search
  • Contacts

Article

  • Read article
  • Download article

Received 21.01.2025

Revised 26.04.2025

Accepted 01.06.2025

Retrieved from Vol. 9, No. 1, 2025

Pages 155 -163

  • 109 Views

Suggested citation

Sulaieva, N. (2025). Ukrainian folk song as a factor in enriching the artistic competence of future music teachers in the context of non-formal art education . Ukrainian Professional Education, 9(1), 155-163. https://doi.org/10.33989/2519-8254.2025.17.342546

Ukrainian folk song as a factor in enriching the artistic competence of future music teachers in the context of non-formal art education

Natalia Sulaieva

Abstract

The article substantiates the pedagogical potential of Ukrainian folk songs in the context of developing the artistic competence of future music teachers. Emphasis is placed on the importance of informal arts education, which is implemented in folk-oriented artistic and creative groups at higher education institutions. It has been proven that students’ informal arts education in folk ensembles and choirs contributes to the deepening of such components of the artistic competence of future music teachers as personal, cognitive, activity-based, and social. Theoretical analysis and observation of the activities of folk-oriented artistic and creative groups have made it possible to conclude that the performance of Ukrainian folk songs has a significant impact on value orientations, emotional and aesthetic attitudes towards art, artistic sensitivity, internal motivation for creativity, and the ability for artistic and personal self-expression. At the same time, ongoing musical and educational activities using folk songs contribute to the deepening of competencies in folk singing styles; voice classification in folk choirs; musical and expressive means of choral performance; methods of folk sound production; and components of Ukrainian vocal folklore. It has been proven that it is precisely in the context of informal arts education in nationally oriented artistic and creative groups that students are immersed in the world of Ukrainian song culture, which activates their internal motivation for creativity, strengthens their national identity, and improves the quality of their professional training as music teachers

Keywords:

Ukrainian folk song, informal arts education, training of future music teachers

References

  1. Drinevska, V. (2023). Estetyko-kul’turolohichnyi vymir ukrains’koi narodnoi pisni [Aesthetic and cultural dimension of Ukrainian folk song]. Imidzh suchasnoho pedahoha [Image of the modern teacher], 4 (211), 141-147 [in Ukrainian]. 
  2. Hrytsa, S. Y. (2005). Kul’turolohichni aspekty ukrains’koi narodnoi pisni [Cultural aspects of Ukrainian folk song]. Mystetstvoznavchi zapysky [Art studies notes], 7, 12-18 [in Ukrainian]. 
  3. Hrytsa, S. Y. (2008). Etnomuz·ykolohiia: istoriia, teoriia, praktyka [Ethnomusicology: history, theory, practice]: navch. posib. Kyiv: NMAU im. P. I. Chaikovs’koho [in Ukrainian]. 
  4. Ivanytskyi, A. I. (2001). Ukrains’ka muzyka v konteksti folkloryzmu XX stolittia [Ukrainian music in the context of 20th-century folklorism]. Naukovi zapysky [Proceedings], 15, 74-86 [in Ukrainian]. 
  5. Ivanytskyi, A. I. (2006). Ukrains’ka muzychna folklorystyka: istoriia, teoriia, metodyka [Ukrainian musical folkloristics: history, theory, methods]: navch. posib. Kyiv: Znannia [in Ukrainian]. 
  6. Kafarskyi, V. I. (2006). Etnolohiia [Ethnology]: pidruchnyk. Kyiv: Tsentr navchalnoi literatury [in Ukrainian]. 
  7. Kvitka, K. V. (1930). Muzykal’ni elementy ukrains’kykh dum [Musical elements of Ukrainian dumy]. Zapysky Istorychno-Filolohichnoho viddilu VUAN [Notes of the Historical and Philological Department VUAN], 24, 145-189 [in Ukrainian]. 
  8. Kvitka, K. (1917). Narodni melodii z holosu Lesi Ukrainky [Folk melodies from Lesya Ukrainka’s singing] (Part 1). Kyiv [in Ukrainian]. 
  9. Kolesa, F. M. (1910-1913). Melodii ukrains’kykh narodnykh dum [Melodies of Ukrainian folk dumy] (Vols 1/2). Lviv [in Ukrainian]. 
  10. Krus, O. P. (2020). Natsional’ne vykhovannia maibutnikh uchyteliv muzyky zasobamy narodnopisennoyi tvorchosti [National education of future music teachers through folk song creativity]. (PhD diss.). Kyiv [in Ukrainian]. 
  11. Levchenko, H. S. (2007). Spohady, rozdumy, pohliady, porady. Khudozhno-metodychni narysy [Memoirs, reflections, views, advice. Artistic and methodological essays]. Poltava: PF «Formika» [in Ukrainian]. 
  12. Lozko, H. (2001). Etnolohiia Ukrainy. Filosofsko-teoretychnyi ta etnorelihiieznavchyi aspekt [Ethnology of Ukraine. Philosophical-theoretical and ethnoreligious aspect]. Kyiv: ArtEk [in Ukrainian]. 
  13. Nelha, O. V. (1997). Teoriia etnosu [Theory of Ethnos]: kurs lektsii. Kyiv: TANDEM [in Ukrainian]. 
  14. Revutskyi, L. M. (1936). Ukrains’ka narodna pisnia v bahatoholossi [Ukrainian folk song in polyphony]. Ukrainska muzyka [Ukrainian music], 2, 5-18 [in Ukrainian]. 
  15. Semychova, N. O. (2022). [No title provided]. Naukovi zapysky Berdianskoho derzhavnoho pedahohichnoho universytetu. Pedahohika [Scientific notes of Berdyansk State Pedagogical University. Pedagogy], 1, 364-371 [in Ukrainian]. 
  16. Sulaieva, N. V. (2014). Neformalna mystetska osvita maibutnikh uchyteliv u khudozhno-tvorchykh kolektyvakh [Non-formal art education of future teachers in artistic and creative collectives]. (D diss.). Instytut pedahohichnoi osvity i osvity doroslykh NAPN Ukrainy. Kyiv [in Ukrainian]. 
  17. Sulaieva, N. V. (2022). Opportunities for international students to receive non-formal education at Poltava V.G. Korolenko National Pedagogical University. Pedahohichni nauky [Pedagogical Sciences], 79, 70-74. 
  18. Sulaieva, N. V. (2023). Mystetsko-pedahohichna diialnist Hryhoriia Levchenka v konteksti vitchyznianoi pidhotovky vchyteliv muzychnoho mystetstva (ostannia chvert XX – pochatok XXI stolittia) [Artistic and pedagogical activity of Hryhorii Levchenko in the context of national training of music teachers (last quarter of the 20th – early 21st century)]. Estetyka i etyka pedahohichnoi dii [Aesthetics and ethics of pedagogical action], 28, 38-51 [in Ukrainian]. 
  19. Yevtushenko, D., & Mykhailov-Sydorov, M. (1963). Pytannia vokalnoi pedahohiky [Issues of vocal pedagogy]. Kyiv: Mystetstvo [in Ukrainian]. 
Share
Facebook
Twitter
LinkedIn
Email
Telegram
Viber
WhatsApp

https://doi.org/10.33989/2519-8254.2025.17.342546

Address 36003, Ukraine, Poltava, 2, Ostrohradskyi Str.

Email info@uaprofedu.com.ua